Works of Non- Fiction

• “White Wall, Black Hole.” Language Hotel. Ed. Marie Bouchard. Winnipeg: SNAC Press, 2002. 23-5.

• "A Monster for All Seasons: The Many Symbolic Roles of Godzilla.” G-Fan 69: 18-20.
• “Manitoba Madness: Screenwriter George Toles.” Phantom of the Movies' VideoScope 51: 23-25.
• “Carving Up the Field of Cultural Production: A Bourdieuian Analysis of Michele Soavi's Bloody Bird.” Forthcoming in proceedings of the Sixteenth International Conference on the Fantastic in the Arts.
• “The House of Cards Trilogy and the Art of Improving On Your Source.” WordWrap 22.1 (2004): 11-12.
• “'Horror Has Its Ultimate, and I Am That': Severing the Bonds of Identity in The Brain That Wouldn't Die and The Head.” Horror at the Drive-In. Ed. Gary D. Rhodes. Jefferson, North Carolina: McFarland, 2003. 129-39.
• “After the Strip Search, Would You Like a Copy of My Book?” WordWrap 20.5 (2003): 8. “Guerrilla Vamping: Vampyros Lesbos, Becoming-Woman and the Unravelling of the Male Gaze.” Paradoxa 17 (2002): 257-70.
• “I Sing the Body Dismembered: Dario Argento and the Dance of Death.” Virus 23 “$” (1992): 39-43.
• “Urban Renewal: A Hero History of Godzilla.” Amazing Heroes 165 (1989): 38-42.

• “Waking Up from the American Dream: The Horror of Memory in Brad Anderson's Session 9.” Authenticity and Contention (Canadian Association of American Studies); Winnipeg, October 17, 2003.
• “King Kong Versus Godzilla: Hollywood Film and the Global Distortion.” Globalization and Popular Culture; University of Manitoba; October 19, 2001.
• “Necropolis Now! The City of Horror as Liberatory Nightmare.” ACCUTE Congress 2000; University of Alberta; May 24, 2000.
• “Robots, Radium, and Radio Ranch: Gene Autry Sings the Deterritorializing Refrain.” Crossing the West(s): Inventing Frontiers; Banff; October 15 1998.
• “Some Son's Mother.” Thinking in 3-V: The Voice, the Verbal, the Visual; University of Alberta; April 5 1997.
• “'A Mistake Is Made!': Glen or Glenda and Ed Wood's Line of Flight.” Purveyors of Fine Spirits: Brewing Cultural Studies & The Cultural “Alement”; University of Alberta; April 13 1996.
• “Carving Up the Field of Cultural Production: A Bourdieuian Analysis of Michele Soavi's Bloody Bird.” Sixteenth International Conference on the Fantastic in the Arts; Fort Lauderdale; March 23 1995. Forthcoming in proceedings.
• “Identity in Crisis: Radcliffe's The Mysteries of Udolpho.” Research Seminars in Early Women; University of Alberta; January 25 1994.
• “Horror, Graphics and the New Narrative.” St. John's Conference on Popular Culture and Canadian Society; University of Manitoba; 1988.